Am I currently working on a drawing called The long Night of a Needless Storm which I wanted to be ready to show now, but it isn’t and I don’t like showing incomplete works, so here is the rest of the psycho-bile-build-up from the past 5 years. I for one cannot endure another 5 years like this.
“…GIVE ME A BREAK!?!!..”
A Privatised Implosion (2014, A4, Ink on paper)
The Index For Child Well-being (2011, mixed media on paper, 100X100cm)
I Want None of This (2011, mixed media on paper, 180X105cm)
A Psychic Timebomb (2013, mixed media on paper)
Achieving and getting Things Done (Installation, Sheffield 2011)
In The City… (2011, ballpoint pen on paper, 115X100cm)
Just The Noise… (2014 exhibition flyer)
The Planet’s Mental Illness (2012, ballpoint pen on paper, 105X150cm)
…Coils Tightening (2014, mixed media on paper, 100X125cm)
A Cognitive Austerity (2015, ink on paper, A4)
Untitled (2014, ink on paper, A4)
Mind Camp (2013, mixed media on paper, 105x155cm)
Disintegration (2013, A4, mixed media on paper)
Feverish (2014, ballpoint pen on paper, 135x95cm)
Untitled (2013, ink on paper, A4)
Not Humanly Possible (2015, ink on paper, A4)
The Place of Dead Ends (2013, mixed media on paper, 100x125cm)
Hyper-Malaise (2014, ink on paper)
Global Ghetto, 2045, Marks The Centenary of The Defeat of Fascism (2010/11, 105X140, ballpoint pen on paper)
Whilst We Were in The Eternal Now... (2014, mixed media on paper, 95X125cm)
The Mary Celeste Project [The Scene of The Crash] (2014, video)
<p><a href=”https://vimeo.com/195082910″>The Mary Celeste Project (The Scene of The Crash)</a> from <a href=”https://vimeo.com/user60125733″>John Ledger</a> on <a href=”https://vimeo.com”>Vimeo</a>.</p>
This video work takes my previous video-work The West Riding of Yorkshire: A Psychogeographical Account and makes it more concise whilst taking certain aspects of the video further.
Using (overly) familiar places, components in an eclectic and discontinuous urban area spanning the old West Riding county.
Using this landscape to examine near pasts, lost futures and dead dreams to understand the wider contemporary social condition.
The work focus’s on two lost futures and the un-locatable present, the condition of the which is largely caused by the loss of the previous, and their haunting presence. The first lost future is that of popular modernism, which died in the latter quarter of the 20th century. The second lost future being the naively optimistic early to mid 1990’s, and its utopianist gaze at the (then) coming new millennium. The un-locatable present, here refers to a specific intensification of life under digital capitalism, looking at the severe disorientation of the passing of time since the 2008 financial crisis.
The video-work and wider, ongoing project has been inspired by the beautifully calm,yet highly politicised films of Patrick Keiller; Mark Fisher’s writings on Hauntology, and Fredric Jameson’s essay on Cognitive mapping. They have also be inspired by my own feelings of loss of narrative and of being out of time, amidst a feverishly neoliberal reality. Indeed the growing weight of this sense of being ‘out of time’ is what differs the original West Riding-based video-work with The Mary Celeste Project (The Scene of The Crime).
The title of this video refers to an iconic ‘blip’ on the skyline of Barnsley town centre: a building that was abandoned half-way through completion due to the 2008 financial crash, as if the constructors had simply been zapped out of existence, and now exists as a ghost ship upon the inner ring road – haunting us with faded the utopianism of the 1989-2008 exuberant new capitalism. But the title refers to the entire subject of the film; that of a sense of a future that has vanished, leaving an empty shell of itself.
The Retro bar at the end of the Universe
Strivers (no2), A5, ink on paper