Century P.T.S.D. (2016, A3, mixed media on paper)
I’ve received my copy of Prisoners of Reason: Game Theory and Neoliberal Political Economy Author: S. M. Amadae, which features my artwork ‘The Logic of Neoliberalism’, which I made back in 2010.
I’m really pleased for my work to be part of this publication by S. M. Amadae and now look forward to reading it. The book can be found at the Cambridge University Press.
I wrote this over a year back, but I have re-posted it as I feel it’s the most sufficient thing I have on me to try to persuade people away from allowing their misery-filled hearts to guide them into reelecting the Tories. I beg you to watch this entire film tonight before you go to the voting booth tomorrow.
Due to recent thoughts I felt the need to both reference and praise the artist/documentary-maker Patrick Keiller’s 1994 film London; a filmed about a journey through London, which forms a beautiful protest and desire for Justice in a time of loss of belief in a future
Although it should be a suggested alternative watch to Mind The Gap: London vs The Rest, the ‘documentary I criticised on here a week back, I am referring to it here largely due to recent concerns I have been sharing with friends that the Tories may somehow be reelected. This current government [the coalition by name, an unelected Tory coup by nature) thrive off apathy, our sense that there’s nothing we can do.The more apathetic we become, the more powerful they. They are parasites of pessimism.
I reject the idea that I am a pessimist: I am incensed with the injustice in the world/forced to look at what is happening to the world because I cannot stop caring. Pessimism is when you don’t care any more. I may focus on the what’s going wrong, rather than how things could be better, but this isn’t because I don’t care or desire for things to be better. My heart often feels like it is slowly turning to stone, but yet there still remains a Utopianism within me.
Of those I’ve been speaking to we know our society well enough to understand why it may support something that can only maintain/enhance the silent miseries and frustrations; a resignation to all outside our family units and a bizarre fearful distrust in anything that could promise to make life better for us. Yet it remains baffling and relatively impossible to articulate why this happens. Yet this film uses a journey through London to almost map out a diagnosis of the illness stunting society. The real-felt consequences of the re-election of the Conservatives is well illustrated by the worried anticipations of the narrator and Robinson (whose life the art-documentary is based around) on the days surrounding the 1992 Tory reelection. Furthermore, I feel this description that I have used below must be familiar to most of us in contemporary Britain, if we are honest with ourselves, regardless of how 2014 compares to 1992.
[pre-election] “I expected the [Tory] government would be narrowly defeated, but Robinson did not trust the opinion polls, which were in any case showing a last minute drift away from Labour…[post election]. It seemed there was no longer anything a Conservative government could do to vote it out of office. …[T]he middle class in England had continued to vote Conservative because in their miserable hearts they still believed it was in there interest to do so.”
[The expected consequences] “His [Robinson’s] flat would continue to deteriorate, and his rent increase; he would be intimidated by vandalism and petty crime; the bus service would get worse; there would be more traffic and noise pollution, and an increased risk in getting knocked down crossing the road; there would be more drunks, pissing in the street when he looked out of the window, and more children taking drugs on the stairs as he came home at night; his job we be at risk, and subjected to interference; his income would decrease; he would drink more, and less well; he would be ill more often; HE WOULD DIE SOONER” (London, Patrick Keiller, 1994)
I’m no defender of New Labour (I hate the small-minded arguments that try to pit the two parties together as being the full scope of possibilities of how our society could function), but I have definitely noticed many changes since 2010 (since the Tories got back into power), in the news, in the street, in my friends’ lives, in my life, that chime with the description above. The increase in cars on the road – as if somehow the increased psychological pressure of a more harsh, unforgiving, yet deliberately imposed reality onto people, has pushed us into using the form of transport most naturally at home with self-centredness – a pessimism reinforcing itself; as we no longer even dare contemplate the environmental consequences of this anymore. I am always expecting violence, self-inflicted and aimed at others; the nearby city of Sheffield seems to have had an increase of both homeless individuals; in my home town Barnsley, individuals evidentially being crushed by this imposed reality, due to the often-seen inability for rage to be controlled, whether it is aimed at others, or at themselves. I sometimes wonder whether we are a society of taught masochists wanting pain from the public school boy sadist-rulers. But there again, anybody who hasn’t become the ideal-functioning man-capital, must be wondering how much more they can hide from, and whether they will be in-front of the crusher sometime soon. How much can a “miserable heart” take, before it retaliates?
I’m pleased to say I will be showing my work …Coils Tightening as part of Our Corner – Art as Political Expression, a 3 day exhibition to be held at Bank Street Arts in Sheffield. I will be showing my work a long with 15 other artists, in an event which also includes workshops and open mic nights in the evening.
18/09/2014 – 20/09/2014, 11am – 4pm
Our Corner – Art as Political Expression
“The Crick Centre at University of Sheffield http://www.crickcentre.org/ and Ignite Imaginations www.igniteimaginations.org.uk are collaborating to produce a three day exhibition for the Festival of the Mind http://festivalofthemind.group.shef.ac.uk/2014-festival-mind/ on the themes of Discrimination, Inequality and Sense of Place. The Festival of the Mind is a collaboration between the city and the University of Sheffield. It’s an 11-day festival where the University shares its most exciting research in inspiring and creative ways. This exhibition is part of the second Festival of the Mind that will be held from 18th September 2014. It will bring together research staff of the University and Sheffield’s cultural and creative industries to create a magical series of events for everyone to get involved with.”