Here’s a selection of images of the art and exhibitions I did this year, and links to best blogs I’ve written. This year has largely been occupied by a large collective project called ‘Fighting for Crumbs (Art in The Shadow of Neoliberal Britain) – for which you can see our documentary, produced by DEADIDEA on the video section of this website; an intensive exhibition early in the year called ‘Under Digital Rain’, and on-going work for the collective ‘The Retro Bar at The End of The Universe’. I feel there’s enough content within the writing and art itself to save me having to sum up 2016 both on a personal and worldly level.
List of written work, including writings for The Retro Bar at The End of The Universe
This month 10 years ago I made a breakthrough within my work. The disjointed, erratic visuals that I was using to give myself voice suddenly came together. It was the first term of my final year of my BA degree. I can honestly say this breakthrough, and the momentum it was generating, made this one of the most special, if not the most special point in my life so far. Waged work, and the inevitable social pressures such environments put on you have tested my sense of self worth over the following years. But although I may not own, or even rent my own property, have a highly valued job, or a partner in crime as I head further into my 30s, I’ve still got my artwork. It’s still ploughing on.
Novmber 2006 to November 2016
On Friday 12 Aug from 6:30pm on-wards we’ll be having a performance and poetry event, alongside a last chance to see The Fighting For Crumbs exhibition
Artist Nick Kilby will be breaking his two year performance fast to put something together for the Fighting For Crumbs event on August 12th at the Gage Gallery in Sheffield, located inside KIAC, Sheffield, S3 8DB. 6:30 – 9pm
‘”To the 330’ is a noise/aktion blood hex against an occupying administration. Be fun to see some of y’all. There will be no milk x”
Jeff Jethro Platts
Jeff is a singer with Parson’s Lot and CAMBODiA, a writer, performer, activist, campaigner, ex miner, ex many things.
follow our events page on facebook to keep up to date. https://www.facebook.com/events/1766943633588740/permalink/1777196522563451
6:30-9pm, Gage Gallery. The Lions Works, 40 Ball St, Sheffield S3 8DB
Drainage System (2016, A4, mixed media on paper)
It’s pretty unlikely I’ll get anything else done this year now, as I’ve hit my New Year-period wall prematurely, from which I can never imagine the possibility of making anything new again – until I make something new again. Perhaps I do my own yearly roundups because I somehow feel that I’m unjustifiably forgotten about. When I regain my bearings from the egotistical gravel pit, I recognise that it’s likely over 90% of us feel this way. But all the same, no choice but to play The Game.
So here’s a list, in a more or chronological order, of the best bits of what I have done in 2015; and believe me, there’s a lot of bits I’d rather regret. Regarding the visual works, I feel THE LONG NIGHT OF A NEEDLESS STORM is my strongest piece, both in visuals and title, it’s the best attempt I’ve made all year of interlinking all the problems of today indirectly back to the dominant political agenda.
Not Humanly Possible (A4, ink on paper)
A Cognitive Austerity (A4, ink on paper)
Five MORE Years… (A4, ink on paper)
“Hardworking Tax-payers, Inconvenienced” (A4, ink on paper)
Pain is Barred an Outlet (A4, ink on paper)
“Sad, LONELY, Frightened” (A4, ink on paper)
Everybody’s Fracking (95X130cm, mixed media on paper)
The Self [ie] Under Siege (A4, mixed media on paper)
“Can We Stop Now, Please?” (A4, mixed media on paper)
Debtland (2015, 110X77cm, mixed media on paper)
Artwork for Wear Your Band T-shirt to Work Day (explanation here)
Sounds that made up my year…
“the rotten soil of nowhere land”
Zomby – Where Were U in 92′
Real McCoy – Runaway (Tory election victory-sting-soother)
The Fall – Frightened
New Order – The Village
Goat – Let it Bleed/Gathering of Ancient Tribes
Sleaford Mods – Double Diamond
Wu Tang Clan – C.R.E.A.M
Sleaford Mods – Mcflurry
Sleaford Mods – Jobseeker
Sleaford Mods – Tied up in Notts
DMS – vengeance
Sleaford Mods – Teacher Faces Porn Charges
Rufige Kru – Menace
Congress – 40 Miles
Chumbawumba – Tubthumping
Sonz of a Loop Da Loop Era – Far Out
The Chameleons – Don’t Fall/Second Skin – (again)
Thanks to everybody who came down last night to my and John Wilkinson’s opening of our exhibition Voices From The Wilderness. We both felt it was well attended, and the evening was full of conversations engaging in the subject of the works, and how and why and John Wilkinson’s works potentially work well together. (The exhibition is open 11-4pm, until 2nd October)
I thought the fact we both place an utmost importance on the work title’s being visible next to the works gave us a common ground in our motivations for making and exhibiting our works. We also agreed that our works shared a similarity in that they both present human landscapes that initially look chaotic to the eye, only to slowly come together more as an organised chaos, dealt out by the dynamics/forces of the system that drives the world. Personally, it was really nice to finally show my video-work The Mary Celeste Project (The Scene of Crash) next to my drawings.
I also feel it’s important to add that we have another opening on Friday 25 September, where a collection of talented spoken word and sound artists will play in the gallery space.
SW1-Hunter is Adam Denton, who is one half Trans/Human.
Trans/Human began life at The Audacious Art Experiment in Sheffield in 2011.
Around that time John Ledger and Adam Denton would discuss many of the themes explored and rendered in John’s work. For the performance tonight SW1-Hunter draws on these fragments of history and its impact on the construction of a/the self.
From mid-September to early October the main body of the last 4 years of my artwork will be stretched between two exhibitions of a quite different nature.
The first exhibition begins at 6:30pm on Friday 18 September, at Gage Gallery in Sheffield. I will be exhibiting in this large space alongside John Wilkinson, a painter whose work is more than certainly both as narrative-heavy as my own, and as critically engaged with the current state of play. I look forward to seeing how our two styles work together, whether this adds any further depth/dimension to way our works are viewed when exhibited as solo artist shows.
The exhibition will run to October 1st, 11-4PM
Gage Gallery, Ball Street, S3 8DB
On Tuesday 28 September I will be part of a show consisting of a group of 5 artists all from/ or with strong links to the town of Barnsley. The exhibition will be called Strange Bedfellows, due to the contrasting styles and approaches in making of those involved. What joins us together is our connection to Barnsley, and a desire to see a celebration of a selection of its visual artists.
Additionally, we will be holding a evening opening event on Friday 2 October. Where prints/artists’ merchandise will be donated to a fundraiser in support of local foodbanks. This is followed by a connected Vinyl Underground music event across the road at The No7 pub.
@Contemporary Gallery, 2-4 The Arcade, Barnsley
Tues 28 Sept – Weds 7 Oct
10:00 – 16:00