Tag Archive | gage gallery

Fighting For Crumbs – a Virtual Tour

We were all really pleased with how the works played off one another;  a coherence of many preoccupations that made up the reasons for having this exhibition which addressed political pessimism, the age of disbelief, austerity and the overlooked areas of the UK.

Whilst John Wilkinson’s paintings addressed the damage done both by once worker-hungry industries, and then their disappearance in a global market economy that then told these workers to become entrepreneurs of themselves, Connor Matheson’s photography documents these very areas a generation on, a landscape with little more opportunity than call-centre dead-end jobs. The Dearne Vallery, Sheffield, Rotherham, Barnsley, Wakefield.

John Wilkinson’s paintings also deal with the post-colonial nationalism that chokes the UK’s horizons, clouding out a future that would lead us from making the same mistakes and get us out of spiraling destructive cycles. Amidst these paintings is an installation by Corinne Deakin, which, more than anything, I feel looks either like flotsam and Jetsom in-the-making or something in decay that refuses to accept it; a empire built on maritime dominance that refuses to give up its ghosts and in process drags everything else down with it.

I wanted to put works into the show that both addressed the mood of the land and looked at the geography of the area that connects up the Post-industrial Yorkshire towns intrinsic to the Fighting For Crumbs project. First off I wanted to get the poet Jonathan Butcher involved. John’s poetry is subtly political, a gritty realism and focus on the landscape he has seen community disintegration and lost futures from within. I worked with him to make a way of getting his words into an art exhibition. Growing up on Hall Road, in the Handsworth area in the eastern suburbs of Sheffield, I tried in to incorporate some of my memories of seeing the nearby Manor Estate in a state of dereliction, with the fact that the Sheffield Parkway trunk road slices Hall Road in two, to make a place for Jonathan to write his poetry that visualised community/social disintegration.

I made a installation centred around a large memory map of The West Riding of Yorkshire I undertook in 2013, mainly focussing on Barnsley, Wakefield, Leeds and Sheffield that documents the visible impacts of austerity next to feelings of confusion, frustration, alienation. I incorporated a other geographically-focused works that look at the mood of the country through the first ‘season’ of austerity, the run up to the 2015 election, and then the run up to the EU referendum. Always intent on tying together the areas where Fighting For Crumbs is based around, being held at (The exhibition continues 20+ miles north of Sheffield at the Wakefield Labour Club, ‘The Redshed’, on Saturday 13th). And I have installed some of my drawings in the somewhat smaller Redshed venue

Somewhat hidden in the corner is Rebekah Whitlam’s installation ‘Vanitas Britannia’ that talks about how the riots, kettling, protest and upheavals at the turn of the decade have been swept under a ‘handmade’ carpet of a ‘keep calm and carry on’ crafts culture, satirising the tactics of a nation that retreats into its mythical past, by playing on the morbid theme of mortality that occupies the Dutch Vanitas paintings. “As a textile artist…[Rebekah} feels a pressure of balancing a vision of socially inclusive creativity without undercutting [herself] and other artists financially.” Adding that as a craft-skilled artist it is hard not to become part of the problem when “as handmade, locally sourced business cashes in on developing the streets, financial and emotional security remains distant for their neighbours and the divide becomes increasingly widened.”

It connects up with a running narrative in the show about the gentrification of a few ‘hip’ areas in these post industrial towns to the cost of all the surrounding working class communitiess which become invisible in their struggles. The fact the there is no lighting in the room both seems to reflect the dark colours of the Vanitas paintings. and, I felt, becomes a satire on the ‘keep calm carry on’ ‘Blitz-spirit’, austerity = black outs, narrative etc etc. Just make sure the that fact the room is unlit doesn’t make you think it’s not part of the exhibition!

The exhibition doesn’t so much dwell on the past as look at the inertia of the present; the future we have forgotten in favour of ways to guide us through the day in hand. We seem to have forgotten that we need something to believe in. The world appears a place in a downward spiral of cruelty and sadness, but dead-end pleasure-seeking in a depressed landscape doesn’t quite hold its excitement for very long – it just sets in stall a pursuit of even more extreme pleasure seeking later on. Fighting for Crumbs somewhat tries to visualise a country that wake from a defeatist slumber that it perhaps doesn’t even recognise as being in.

 

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‘Development Opportunity’ and ‘We’re all in it Together’ – John Wilkinson

 

 

 

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Installation by Corinne Deakin in front of ‘Draped in Faded Glory’ by John Wilkinson

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(Right to Left) A Man hesitantly looks at Thermal Socks for Sale in Barnsley – Connor Matheson, ‘Keep Calm and Keep Shopping’ – John Wilkinson

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Corinne Deakin’s installation in front of ‘The Imposition of Conformity’ by John Wilkinson

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Youth Riding a Small Motorbike – Shirecliffe

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Broken Slates – installation piece – Jonathan Butcher and John Ledger

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Poppies (For Jonathan Butcher) – a painting John Wilkinson produced for the show in response to one of Jonathan’s poems.

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Installation by John Ledger

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West Riding of Yorkshire: A Pyschogeographical account

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<p><a href=”https://vimeo.com/144591777″>Lost Bus Routes and Pre-Election Rambles</a> from <a href=”https://vimeo.com/user18137640″>john Ledger</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

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Vanitas Britannia – Rebekah Whitlam

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At the Redshed, Wakefield on Saturday, 1pm onwards, we will be showing our Fighting For Crumbs documentary, which will look at all the artist involved. We will be showing the brilliant documentary Sleaford Mods – Invisible Britain, and JD Taylor will be giving a talk. JD Taylor is the Author of Negative Capitalism: Cynicism in The Neoliberal Era, and Island Story: Journeys Through Unfamiliar Britain

Images of Redshed show

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12.08.2016. Performance and poetry@Fighting For Crumbs

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On Friday 12 Aug from 6:30pm on-wards we’ll be having a performance and poetry event, alongside a last chance to see The Fighting For Crumbs exhibition

Nick Kilby

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Artist Nick Kilby will be breaking his two year performance fast to put something together for the Fighting For Crumbs event on August 12th at the Gage Gallery in Sheffield, located inside KIAC, Sheffield, S3 8DB. 6:30 – 9pm

‘”To the 330’ is a noise/aktion blood hex against an occupying administration. Be fun to see some of y’all. There will be no milk x”

 

Jeff Jethro Platts

Jeff is a singer with Parson’s Lot and CAMBODiA, a writer, performer, activist, campaigner, ex miner, ex many things.

 

follow our events page on facebook to keep up to date. https://www.facebook.com/events/1766943633588740/permalink/1777196522563451

6:30-9pm, Gage Gallery. The Lions Works, 40 Ball St, Sheffield S3 8DB

 

 

Friday 12 August. Fighting For Crumbs – Poetry and performance night

On Friday 12 August as part of Fighting For Crumbs (Art in The Shadow of Neoliberal Britain) there will be performance and poetry within our exhibition at Gage Gallery, Sheffield, starting at 6:30 and running until 9pm.

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Artist Nick Kilby will be breaking his two year performance fast to put something together for the Fighting For Crumbs event on August 12th at the Gage Gallery in Sheffield, located inside KIAC, Sheffield, S3 8DB. 6:30 – 9pm

‘”To the 330’ is a noise/aktion blood hex against an occupying administration. Be fun to see some of y’all. There will be no milk x”

Our poets and poetry readings are yet to be confirmed, but follow our events page on facebook to keep up to date. https://www.facebook.com/events/1766943633588740/permalink/1777196522563451/

A Grief That’s Been Gagged and Buried (2016)

A Grief That’s Been Gagged and Buried (2016, mixed media on A3)

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I don’t know when you could say such a time began (maybe at some point during the past decade or even earlier?), but I sense we are overdue some grieving time. And that’s because our civilisation (specifically our faith in a capitalist model – one based on exponential growth – to bring well-being and prosperity) has died. Grief is a natural process in order that we can rehabilitate so as to move on to the next stage of life, but it has been emphatically denied us. Its existence has been denied, and the denial has been played out in a turbo-charging forwards with the persistence of now-dead beliefs. And look at the pain that it is causing; to be forced to work harder for something deep down we know is not only going nowhere, but is in a process of perpetual deterioration. It has made knowing-zombies out us, an anxious-undead, clutching our Iphones, trying to climb out of the daily dread. But it has to give-way at some point. More and more of us are suffering under the psychological strain of knowing we will have to work harder and harder for diminishing returns from a dead/dying system, and all around you can see people cracking up. Nobody knows what this outcome will finally lead to, but there is potential for a rebuilding, not so much physically, but culturally. However, right now we are in need of an healing process.

This work will feature in the Wakefield Redshed section of Fighting For Crumbs (Art in The Shadow of Neoliberal Britain

Fighting For Crumbs (Art in the Shadow of Neoliberal Britain) is a group of artists from Yorkshire working amidst the after-effects of Austerity Britain 2.0.

The project was inspired by the film ‘Invisible Britain’ (based on the work of Sleaford Mods) that looks at overlooked UK towns and cities, and motivated by a request to contribute to the 50th anniversary celebrations of ‘The RedShed’ (Wakefield Labour Club). The event is based in Sheffield and Wakefield and explores the position of art, and artists, in a period when we are all being pressured to ‘strive’ for crumbs – a time when wages are low, and the market dictates creativity

Gage Gallery, Ball Street, Sheffield, S3 8DB

Monday 8 August: Opening night. 6:30 – 9pm
Friday 12 August. Music and poetry night. 6:30 – 9 pm
11-4pm

The Redshed, 18 Vicarage St S, Wakefield WF1 1QX

Saturday 13 August. 1Pm onwards. Film-viewing, and talk by JD Taylor
Normal gallery opening times: 8 August – 13 August, 7-11pm (call 01924215626 to check room is not in use).

YOUR Freedom (2016)

YOUR Freedom (95X125cm, mixed media on paper, 2016)

‘YOUR Freedom’ is my latest work, and will feature in the Wakefield Redshed part of the group show Fighting For Crumbs (Art in The Shadow of Neoliberal Britain).

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Fighting For Crumbs (Art in the Shadow of Neoliberal Britain) is a group of artists from Yorkshire working amidst the after-effects of Austerity Britain 2.0.

The project was inspired by the film ‘Invisible Britain’ (based on the work of Sleaford Mods) that looks at overlooked UK towns and cities, and motivated by a request to contribute to the 50th anniversary celebrations of ‘The RedShed’ (Wakefield Labour Club). The event is based in Sheffield and Wakefield and explores the position of art, and artists, in a period when we are all being pressured to ‘strive’ for crumbs – a time when wages are low, and the market dictates creativity

Gage Gallery, Ball Street, Sheffield, S3 8DB

Monday 8 August: Opening night. 6:30 – 9pm
Friday 12 August. Music and poetry night. 6:30 – 9 pm
11-4pm

The Redshed, 18 Vicarage St S, Wakefield WF1 1QX

Saturday 13 August. 1Pm onwards. Film-viewing, and talk by JD Taylor
Normal gallery opening times: 8 August – 13 August, 7-11pm (call 01924215626 to check room is not in use).

Fighting For Crumbs (Art in The Shadow of Neoliberal Britain)

13439091_1351546641527196_560300827880526063_nFighting For Crumbs (Art in the Shadow of Neoliberal Britain) is a group of artists from Yorkshire working amidst the after-effects of Austerity Britain 2.0.

The project was inspired by the film ‘Invisible Britain’ (based on the work of Sleaford Mods) that looks at overlooked UK towns and cities, and motivated by a request to contribute to the 50th anniversary celebrations of ‘The RedShed’ (Wakefield Labour Club). The event is based in Sheffield and Wakefield and explores the position of art, and artists, in a period when we are all being pressured to ‘strive’ for crumbs – a time when wages are low, and the market dictates creativity

Gage Gallery, Ball Street, Sheffield, S3 8DB

Monday 8 August: Opening night. 6:30 – 9pm
Friday 12 August. Music and poetry night. 6:30 – 9 pm
11-4pm

The Redshed, 18 Vicarage St S, Wakefield WF1 1QX

Saturday 13 August. 1Pm onwards. Film-viewing, and talk by JD Taylor
Normal gallery opening times: 8 August – 13 August, 7-11pm (call 01924215626 to check room is not in use).

Reflections on Voices From The Wilderness

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Thanks to everybody who came down last night to my and John Wilkinson’s opening of our exhibition Voices From The Wilderness. We both felt it was well attended, and the evening was full of conversations engaging in the subject of the works, and how and why and John Wilkinson’s works potentially work well together. (The exhibition is open 11-4pm, until 2nd October)

I thought the fact we both place an utmost importance on the work title’s being visible next to the works gave us a common ground in our motivations for making and exhibiting our works. We also agreed that our works shared a similarity in that they both present human landscapes that initially look chaotic to the eye, only to slowly come together more as an organised chaos, dealt out by the dynamics/forces of the system that drives the world. Personally, it was really nice to finally show my video-work The Mary Celeste Project (The Scene of Crash) next to my drawings.

I also feel it’s important to add that we have another opening on Friday 25 September, where a collection of talented spoken word and sound artists will play in the gallery space.

The event will start at 7pm, with Gav Roberts opening at 7.15, followed by Liz Ferrets and Kevin Titterton. At about 8pm we will have a noise performance by SW1-Hunter.

SW1-Hunter is Adam Denton, who is one half Trans/Human.
Trans/Human began life at The Audacious Art Experiment in Sheffield in 2011.
Around that time John Ledger and Adam Denton would discuss many of the themes explored and rendered in John’s work. For the performance tonight SW1-Hunter draws on these fragments of history and its impact on the construction of a/the self.

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The Long Night of a Needless Storm

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Two Upcoming Exhibitions

From mid-September to early October the main body of the last 4 years of my artwork will be stretched between two exhibitions of a quite different nature.

11800002_1627123337560392_755793731947607952_nThe first exhibition begins at 6:30pm on Friday 18 September, at Gage Gallery in Sheffield. I will be exhibiting in this large space alongside John Wilkinson, a painter whose work is more than certainly both as narrative-heavy as my own, and as critically engaged with the current state of play. I look forward to seeing how our two styles work together, whether this adds any further depth/dimension to way our works are viewed when exhibited as solo artist shows.

The exhibition will run to October 1st, 11-4PM

Gage Gallery, Ball Street, S3 8DB

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On Tuesday 28 September I will be part of a show consisting of a group of 5 artists all from/ or with strong links to the town of Barnsley. The exhibition will be called Strange Bedfellows, due to the contrasting styles and approaches in making of those involved. What joins us together is our connection to Barnsley, and a desire to see a celebration of a selection of its visual artists.

I will be exhibiting alongside Rory Garforth, Terry Brookes, Rob Nunns, Elizabeth Sinkova

Additionally, we will be holding a evening opening event on Friday 2 October. Where prints/artists’ merchandise will be donated to a fundraiser in support of local foodbanks. This is followed by a connected Vinyl Underground music event across the road at The No7 pub.

@Contemporary Gallery, 2-4 The Arcade, Barnsley

Free Entry

Tues 28 Sept – Weds 7 Oct

10:00 – 16:00