The Manifesto for The Just-about-managing (2017, mixed media on paper)
The Manifesto for The just-about-managing is explicitly propaganda; it is propaganda for a kind of future that is worth living in for humankind. Surely this is not a disingenuous aim?
This is the final work I’ll finish before I begin studying a Masters part-time. Most of my most recent works have attempted to make my jaded idealism manifest itself, finding a way of expressing a conviction that the darkest of times can conversely be the times when the brightest of futures are galvanized. This is because over the past few years I’ve begun to feel that the only route possible except for oblivion borne of war and ecological collapse is one that harnesses the wealth of knowledge we have accumulated for a common purpose – no matter how long and painful that road is. It’s what I’ve been calling The Hope of The Nihilized.
It’s hard to remind yourself of this when the nihilism finally demolishes your spirit when the day in hand has done you . The goal I’ve set myself for this MA is the goal I’ve realised everything has to lead to: to fight through pessimism and depressive solitary pleasure seeking borne from burnout, to ignore the demons of the spirit so to work more with others, and to use whatever tools I may have as part of a constructive collective project I can’t even see yet.
And to be honest it’s a big ask, and towards the completion of the work the negativity from the exhaustion of workaday anxieties has crept over my spirit, and I was propping up its completion with cans of cider, a story readers familiar with this blog will know too well.
The Manifesto For The just-about-managing is the manifesto of depression. The sense you get when you turn on the news and text scrolls past you stoking fear of Other, whilst eclipsing Otherness – an ability to think beyond the norm. Its the sense you get when the sparks of political optimism in the spring of a new year disappear under the white noise of consumerist commands in the deadness of mid-seasons.
The Manifesto For The just-about-managing argues against all naive goodwill; promotes the pursuit of happiness only in loneliness. It screams at us to enjoy but yet creates a structure to cope with the scattered fallout of depressive-pleasure-seeking, or (as I prefer), dead-end pleasure-seeking.
It’s what makes you cynical of everything; cynical of climate change, cynical of good-will to others.
It is all that makes you reach for your drug of choice, because ‘there’s nowt you can do’.
Yet, the drawing is an argument that a miserable status quo is becoming harder and harder to maintain. The toxicity of the manner in which we are pumped up like battery farm chickens on information isn’t just making us into the consumer addicts of the 20th century, but soundbite addicts, super-aware of just how disagreeable the status-quo of things is. We know too much to be content. We have seen too much for our well-being. We are becoming deeply unwell as the structures built to make reassuring sense of life dissolve. We don’t need another Hiroshima, because it is happening in our heads. The interior landscape is being forced to recompose itself, and its craving for a new horizon is being suppressed by the Manifesto For the Just-about-managing. But below the crust the earth is moving.
The Manifesto For the Just -about-managing is being bombarded by more and more proof of its stupidity and folly. This piece of work is like no other I have made before, and I have used as many of the most telling quotes as I could find. Due to this, it is also like an essay, which means I have had to list my reference points. Which are below:
The Coming ’17, Franco (Bifo) Berardi
Art and Revolution, John Berger
The Soul and The Operator, Expressen, John Berger
Pascalian Revelations, Pierre Bourdieu
Culture Design Labs – Evolving the Future, Joe Brewer
The Look and Feel of 21st Century Science – Joe Brewer
Injustice, Danny Dorling
Humans are Most Atrocious When We Live under The Weight of Great Inequalities, Darling Dorling
Is Inequality Bad For The Environment?, Danny Dorling
Abandon Hope (Summer is Coming), Mark Fisher
Good For Nothing, Mark Fisher
What We are Fighting For, A Radical Collective Manifesto, Mark Fisher
Four Futures – Life after Capitalism, Peter Frase
We Already Grow Enough Food to Feed 10 Billion People – And Still Can’t End Hunger, Eric Holt Gimenez
The End of The American Experiment – Bad Words – Umar Haque
The Likely Cause of Addiction has been Discovered, and it’s not What You Think, Johann Hari
A Storm is Brewing in Paradise, Dalarna University lecture, Dougald Hine
David Graeber interview: ‘So many people spend their working lives doing jobs they think are unnecessary’, Stuart Jeffries
London, Patrick Keiller, BFI
This Changes Everything: Capitalism Vs Climate Change, Naomi Klein
The Robots are Coming, John Lanchester
The Case For Despair is Made. Now Let’s Try To Get out The Mess We’re in, George Monbiot
Neoliberalism is Creating Loneliness, That’s What’s Wrenching Society apart, George Monbiot.
Sick of this market-driven world? You should be, George Monbiot
The Age of Loneliness is Killing us, George Monbiot
Philosophy and Human Values, lectures, Rick Roderick
Capital’s Hunger in Abundance, Andrew Smolksi
Island Story: Journeys Around Unfamiliar Britain, JD Taylor
Super-intelligence and eternal life: transhumanism’s faithful follow it blindly into a future for the elite, Alexander Thomas
We are all very anxious , We Are Plan C
The Spirit Level: Why More Equal Societies Do Better, Richard Wilkinson and Kate Pickett
Inventing The Future: Postcapitalism and a World Without Work, Alex Williams and Nick Srnicek
£$[We]€$[Can’t]$£[Take]£€[Any]$€[More!!]$£ (2016, mixed media on paper)
I’ve been on and off with the idea for this piece of work for almost 2 years now, with the initial idea for a work called Debtland coming to mind traveling to Leeds via train on a cold February night I 2014. So I’m glad I finally got around to putting it all together. Sometimes the ideas for my drawings are instantaneously in the right place, and I get on with making them straight away. Pieces such as Debtland sort of grow into so etching worthwhile in the background for a year or so.
Debtland (2015, 110X77cm, mixed media on paper)
This is only the 2nd large scale work I’ve produced outside the Barnsley district in the 10 years I’ve been making them; the Planet’s Mental Illness (worked on intensely in a New Cross hall of residence) being the other. 6 to 7 years ago I would have felt it necessary to try explaining what this work is about. In UK2015, I don’t feel it necessary.
THE LONG NIGHT OF A NEEDLESS STORM (2015, mixed media on paper, 125x100cm)