I’ve received my copy of Prisoners of Reason: Game Theory and Neoliberal Political Economy Author: S. M. Amadae, which features my artwork ‘The Logic of Neoliberalism’, which I made back in 2010.
I’m really pleased for my work to be part of this publication by S. M. Amadae and now look forward to reading it. The book can be found at the Cambridge University Press.
…the most valued stuff that I spent my life on during the months from January to December. I’d love to be able to announce an ambiguity to the numbers that dominate our society, but I am a self-confessed walking hourglass of a human, who watches the passing of years with sad eagle eyes. Anyway, what makes me feel more brighter is looking at what I’ve done from within this socially-constructed perception of time… I don’t even want to think about 2015 right now.
Progress… (100X150cm, ballpoint pen on paper)
A Privatised Implosion (21X28cm, ink on paper)
Just The Noise… (exhibition)
Whilst We Were All In The Eternal Now…. (ballpoint pen and collage on paper, 95X125cm)
Untitled (ink on paper)
The Mary Celeste project (The Scene of The Crash) video-work
Feverish (ballpoint pen on paper, 90X140cm)
The Image Dead Dreams from my video-piece the Mary Celeste Project (The Scene of The Crash) will feature in the In The City limited edition publication
The publication is part of the In The City Project, hosted by Hanover Project at the University of Central Lancashire
Conference: Harris Building Room 155, Friday 21/11/14, 10:30am – 3pm
Exhibition Preview: Friday 21/11/14, 3 – 5pm
Exhibition Open: 20/11/14 – 10/12/14, Weekdays 10 – 5pm
The purpose of this exhibition is to explore perceptions of the city on a global scale. Artists are
invited to reflect current cultural, social and political subjects through engagements with the built
environment in which they live and / or work. The exhibition is the result of an open call for
submissions, and works have been received from artists working in Ireland, Sweden, UK, Portugal,
Lithuania, Denmark, Italy, Sweden, USA, Austria, Israel, Romania, Germany, and Qatar. A
conference will take place alongside the exhibition at Hanover Project, where speakers will present
themes central to the exhibition concept.
Travelling is an odd experience in the 21st Century. As one steps off a plane and heads towards a
city, one is confronted with a familiar scene. There are a few relics from a distant culture, a few
touristy spots for the ‘selfies’. But increasingly present are the generic office tower blocks and
shopping malls – McDonalds, H&M, Lidl – the same lattes, fashion trends and boutiques. In cities
such as Berlin, you cannot ignore the word gentrification as old buildings and autonomous
establishments disappear to make way for more shopping malls, flash apartments and expensive
Globally, urbanity is changing radically. In the UK, traditional and historic markets are being turned into expensive artisan trade fairs and unique independent shops are being replaced with generic chain stores. The city is increasingly a playground for the wealthy, yet economically the West inparticular is in global financial turmoil. As late capitalism persists and growth continues beyond its means, individuals are increasingly suffering through job and service cuts alongside an increase in living costs.
All of these issues are imprinted onto the city through increasing evidence of affluence and
depravity, and in the signage, buildings, bureaucracy, people, history, moments and actions that
surround us. In this exhibition, works will collectively capture the impact of globalization as
reoccurring themes are unearthed, whilst providing engaging dialogues between differing
Hanover Project, c/o Victoria Lucas, Hanover Building, University of Central Lancashire, Preston, PR1 2HE
I now have a collection of books from the past 6/7 years of doing exhibitions/keeping blogs, that are available here http://www.blurb.co.uk/user/store/ledgefromkec