Tag Archive | BAILDON

Writings From HMS Brexit: performance, this coming Friday and Saturday

As part of ‘Will The Last Person To Leave The 20th Century Please Turn off The Lights?’, The Retro Bar at the End of the Universe presents ‘Writings From HMS Brexit’: a ‘live’ performance.

Myself, poet Jonathan Butcher, and the writer JD Taylor (author of Island Story: Journeys around unfamiliar Britain) have made spoken word pieces for the event to be held this weekend  – the voice of Merepseud, hauntological diarist, and former resident of nearby Shipley, may well be heard also.

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The location is a disused pub, looking back over a dislocating time; an erosion of time and place; a vacuum filled by unfulfilled ghosts from the past. Always in homage to the late cultural theorist Mark Fisher, this series of prose speeches is strange due to the absence of the speakers. Only their half-finished endeavors will be visible; half finished pints and coats flung over the seats – as they proceed to dissect a body that has become to be known as ‘Brexit Britain’.

The events are on Friday 6-11pm.

Saturday 10-5pm

Below is a map that shows easy access, via footpath, from the station to our event!!

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‘Will The Last Person To Leave The 20 Century Please Turn out The Lights?’

Retro bar promo2 final

 

First and foremost for anybody who has never heard of Baildon (mainly people south of Wakefield), just think ‘2 miles north of the World Heritage Site, Saltaire.

I’m really looking forward to this event. To be honest it’s our first proper outing as a collective. The Artists’ Bookfair at The Tetley Gallery in Leeds earlier this year was sort of leading up to this. In light of the series of events that have unfolded in the past month (for better and worse) the title of the event, ‘will the last person to leave the 20 century please turn out the light?’, really does seem loaded. No longer does it merely seem to be a ironic nod towards the serious structural inertia that has dominated culture and political thought for what feels like an eternity, but it now seem to on the point of potentially being seriously responded to.  Indeed, the post The End of The Long 90’s on the blog Flip Chart Fairy Tales, really puts into focus the unavoidable proposition that recent events will change British politics for good – that maybe the “Summer of ’17 really will be the end of the Long 90s”. I’m excited to say Rick from Flip Chart Fairy Tales has allowed us to use the blog in an introductory installation to the exhibition part of the event.

We have to be cautious, and what is still clear is that the apparatus that foster cultural inertia and negative realism are still in the driving seat, even if it’s now clear the vehicle has no idea how to navigate the new roads. However, with trepeditity, and paraphrasing the words of Juliet Jacques’ recent post for Repeater Books, ‘For the first time in [adult] my life, I don’t feel like [I’m stalked by depression]’. It may be a flash in pan, a hysteria brought about by the heatwave and the flurry of events discrediting Neoliberal agenda’s freezing of social life into billboard graphic impressions of public space. But I’m feeling more than ever that this negative realism can be fought against, both in my art and life.

Comewhatmay, we have a series of artists, writers and academics parttaking on some level in this exhibition. I’m sure the outcome will be a fruitful one!

As well as the collective (which currently revolves around myself, artist Rebekah Whitlam, Artist-Curator John Wright, and composer Benjamin Parker, – ghosted by DS Jarvis), we have invited contributions from DS Jarvis, photographer Steve Schofield, writers Merepseud and JD Taylor, the poet Jonathan Butcher, the blog Flip Chart Fair Tales, and potentially the engineer David Hooppell. All in all it is looking like