This month 10 years ago I made a breakthrough within my work. The disjointed, erratic visuals that I was using to give myself voice suddenly came together. It was the first term of my final year of my BA degree. I can honestly say this breakthrough, and the momentum it was generating, made this one of the most special, if not the most special point in my life so far. Waged work, and the inevitable social pressures such environments put on you have tested my sense of self worth over the following years. But although I may not own, or even rent my own property, have a highly valued job, or a partner in crime as I head further into my 30s, I’ve still got my artwork. It’s still ploughing on.
Novmber 2006 to November 2016
Thanks to everybody who came down last night to my and John Wilkinson’s opening of our exhibition Voices From The Wilderness. We both felt it was well attended, and the evening was full of conversations engaging in the subject of the works, and how and why and John Wilkinson’s works potentially work well together. (The exhibition is open 11-4pm, until 2nd October)
I thought the fact we both place an utmost importance on the work title’s being visible next to the works gave us a common ground in our motivations for making and exhibiting our works. We also agreed that our works shared a similarity in that they both present human landscapes that initially look chaotic to the eye, only to slowly come together more as an organised chaos, dealt out by the dynamics/forces of the system that drives the world. Personally, it was really nice to finally show my video-work The Mary Celeste Project (The Scene of Crash) next to my drawings.
I also feel it’s important to add that we have another opening on Friday 25 September, where a collection of talented spoken word and sound artists will play in the gallery space.
SW1-Hunter is Adam Denton, who is one half Trans/Human.
Trans/Human began life at The Audacious Art Experiment in Sheffield in 2011.
Around that time John Ledger and Adam Denton would discuss many of the themes explored and rendered in John’s work. For the performance tonight SW1-Hunter draws on these fragments of history and its impact on the construction of a/the self.
Over the past 2 week I’ve had my works in two exhibitions:
In Unity Hall Launch exhibition in Wakefield I exhibited The Place of Dead Ends, The Index For Child Well-being and Whilst We Were All In The Eternal Now…
And in Our Corner: Art as Political Expression, at Bank Street Arts in Sheffield, I exhibited …Coils Tightening
Opening days Thursday – Sunday, 12-4pm.
Photographs from Ill-Equipped, an exhibition @Access space, Sheffield
A thanks to the people at Access Space for giving me the chance to put this show on. It’s been really good to see these works behind an active environment. Access Space is located on Sidney Street, just a few minutes walk leftwards out of the Sheffield Train Station.
“Access Space is an inclusive environment. As well as working with artists, academics, creative technologists, programmers, other professionals and students, 50% of the participation in Access Space’s activities are from people in danger of exclusion and on the margins of society, including: people with disabilities, homeless people, ex-offenders, asylum seekers, refugees and people with mental health issues. Through Refab Space, Access Space engages with self starters and entrepreneurs as well. One of the strengths of Access Space is that it brings people from different backgrounds together.”
The exhibition was named after the drawing Ill-Equipped, a work that deals with the affect on subjectivities in an world where almost every aspect of life is becoming penetrated/mediated by cyberspace technologies, leaving us ‘always on’. But more crucially what does to our ability to truly develop an understanding of the big issues facing us in the 21st century.