The Manifesto for The Just-about-managing (2017, mixed media on paper)
The Manifesto for The just-about-managing is explicitly propaganda; it is propaganda for a kind of future that is worth living in for humankind. Surely this is not a disingenuous aim?
This is the final work I’ll finish before I begin studying a Masters part-time. Most of my most recent works have attempted to make my jaded idealism manifest itself, finding a way of expressing a conviction that the darkest of times can conversely be the times when the brightest of futures are galvanized. This is because over the past few years I’ve begun to feel that the only route possible except for oblivion borne of war and ecological collapse is one that harnesses the wealth of knowledge we have accumulated for a common purpose – no matter how long and painful that road is. It’s what I’ve been calling The Hope of The Nihilized.
It’s hard to remind yourself of this when the nihilism finally demolishes your spirit when the day in hand has done you . The goal I’ve set myself for this MA is the goal I’ve realised everything has to lead to: to fight through pessimism and depressive solitary pleasure seeking borne from burnout, to ignore the demons of the spirit so to work more with others, and to use whatever tools I may have as part of a constructive collective project I can’t even see yet.
And to be honest it’s a big ask, and towards the completion of the work the negativity from the exhaustion of workaday anxieties has crept over my spirit, and I was propping up its completion with cans of cider, a story readers familiar with this blog will know too well.
The Manifesto For The just-about-managing is the manifesto of depression. The sense you get when you turn on the news and text scrolls past you stoking fear of Other, whilst eclipsing Otherness – an ability to think beyond the norm. Its the sense you get when the sparks of political optimism in the spring of a new year disappear under the white noise of consumerist commands in the deadness of mid-seasons.
The Manifesto For The just-about-managing argues against all naive goodwill; promotes the pursuit of happiness only in loneliness. It screams at us to enjoy but yet creates a structure to cope with the scattered fallout of depressive-pleasure-seeking, or (as I prefer), dead-end pleasure-seeking.
It’s what makes you cynical of everything; cynical of climate change, cynical of good-will to others.
It is all that makes you reach for your drug of choice, because ‘there’s nowt you can do’.
Yet, the drawing is an argument that a miserable status quo is becoming harder and harder to maintain. The toxicity of the manner in which we are pumped up like battery farm chickens on information isn’t just making us into the consumer addicts of the 20th century, but soundbite addicts, super-aware of just how disagreeable the status-quo of things is. We know too much to be content. We have seen too much for our well-being. We are becoming deeply unwell as the structures built to make reassuring sense of life dissolve. We don’t need another Hiroshima, because it is happening in our heads. The interior landscape is being forced to recompose itself, and its craving for a new horizon is being suppressed by the Manifesto For the Just-about-managing. But below the crust the earth is moving.
The Manifesto For the Just -about-managing is being bombarded by more and more proof of its stupidity and folly. This piece of work is like no other I have made before, and I have used as many of the most telling quotes as I could find. Due to this, it is also like an essay, which means I have had to list my reference points. Which are below:
The Coming ’17, Franco (Bifo) Berardi
Art and Revolution, John Berger
The Soul and The Operator, Expressen, John Berger
Pascalian Revelations, Pierre Bourdieu
Culture Design Labs – Evolving the Future, Joe Brewer
The Look and Feel of 21st Century Science – Joe Brewer
Injustice, Danny Dorling
Humans are Most Atrocious When We Live under The Weight of Great Inequalities, Darling Dorling
Is Inequality Bad For The Environment?, Danny Dorling
Abandon Hope (Summer is Coming), Mark Fisher
Good For Nothing, Mark Fisher
What We are Fighting For, A Radical Collective Manifesto, Mark Fisher
Four Futures – Life after Capitalism, Peter Frase
We Already Grow Enough Food to Feed 10 Billion People – And Still Can’t End Hunger, Eric Holt Gimenez
The End of The American Experiment – Bad Words – Umar Haque
The Likely Cause of Addiction has been Discovered, and it’s not What You Think, Johann Hari
A Storm is Brewing in Paradise, Dalarna University lecture, Dougald Hine
David Graeber interview: ‘So many people spend their working lives doing jobs they think are unnecessary’, Stuart Jeffries
London, Patrick Keiller, BFI
This Changes Everything: Capitalism Vs Climate Change, Naomi Klein
The Robots are Coming, John Lanchester
The Case For Despair is Made. Now Let’s Try To Get out The Mess We’re in, George Monbiot
Neoliberalism is Creating Loneliness, That’s What’s Wrenching Society apart, George Monbiot.
Sick of this market-driven world? You should be, George Monbiot
The Age of Loneliness is Killing us, George Monbiot
Philosophy and Human Values, lectures, Rick Roderick
Capital’s Hunger in Abundance, Andrew Smolksi
Island Story: Journeys Around Unfamiliar Britain, JD Taylor
Super-intelligence and eternal life: transhumanism’s faithful follow it blindly into a future for the elite, Alexander Thomas
We are all very anxious , We Are Plan C
The Spirit Level: Why More Equal Societies Do Better, Richard Wilkinson and Kate Pickett
Inventing The Future: Postcapitalism and a World Without Work, Alex Williams and Nick Srnicek
Century P.T.S.D. (2016, A3, mixed media on paper)
£$[We]€$[Can’t]$£[Take]£€[Any]$€[More!!]$£ (2016, mixed media on paper)
After doing a couple of exhibitions, and with it being the beginnings of autumn, before the assault of Christmas, I felt it appropriate to reflect on the works I’ve made in the 2015 so far. For whatever reason, I have always been obsessed with dates, and the passing of time, so I’m always looking at what I’ve done during a year. Some of the works I have made this year have been on a smaller scale to what I am used to working on, but I’m wondering if this is helping my work to be more succinct, in an age when most exposure is sought amidst the endless noise of social media sites. Here is a link to less visually instantaneous works, my book ‘Stories from Forgotten Space’, and the continuation of this project on my blog. So here they are from the first to the most recent.
Not Humanly Possible (A4, ink on paper)
A Cognitive Austerity (A4, ink on paper)
Five MORE Years… (A4, ink on paper)
THE LONG NIGHT OF A NEEDLESS STORM (90x115CM, mixed media on paper)
“Hard Working Taxpayers, inconvenienced” (A4, ink on paper)
Pain is Barred an Outlet (a4, ink on paper)
Everybody’s Fracking (95X130cm, mixed media on paper)
“Sad, LONELY, Frightened” (ink on paper, A4)
The Self [ie] Under Siege (A4, mixed media on paper)
“Can We Stop Now, Please?” (a4, mixed media on paper)
I will be showing my more smallish drawings ‘Hyper-Malaise’, ‘A Cognitive Austerity’ and ‘Five MORE Years…’ in ‘Bells From The Deep’ at The Hundred Years gallery, Pearson Street, Hoxton, London, E2 8JD
The ‘Bells from the Deep’ exhibition is the outcome of our latest Open Call for Drawing and Hand Made Prints. Hundred Years Gallery opens its space to over sixty artists of all ages, those who may have never had the opportunity of exhibiting their work, those who perhaps never dare to show them in public, and those who just want to feel free of judgement from arts panels. As well as practicing artists and print makers we have encouraged all of our neighbours from the York Row Council Estate to participate as part of our arts community
Thursday 2nd July 7:30-10:00pm
The Exhibition runs from 2nd to 22nd of July 2015
Wednesday to Friday, 10am-6pm.
‘The past is another world’. Indeed it is, full of lost what-might-have-beens. I cannot even begin to estimate how many calories and hours were put into making these works that were heading in a more-painterly/sculptural direction, nor the lost might-have-beens that may have constituted an alternative usage of that time. Dating from the bright-eyed-dawn of the perceived-shirking-of-tangled-up-teenage-trials of my very early 20’s in 2004, to works made in the infancy of the long night that proceeded from the 2008 crash, these works now seem to me like surfaces of an (un)realised planet.
Due to this they just don’t fit anymore, like architecture that has lost its aesthetic function within the light of a new kind of world, the demolishing of them was the last necessary act. Reality has changed, and they are worth more to me now as documentation of an excavation of that past reality that I cannot go back to (all a poetics perhaps [?] devised to acclimatize myself to the truth: that I had no longer have storage space for works that were becoming increasingly smashed to pieces in narrower and narrower confines).
However, perhaps what surprised me the most, and possibly came close to preventing me smashing up any more of the works, was that the paint was still wet on the inside of one of the pieces from 2007. The smell of gloss and oils momentarily taking me back to 2007…even the music I listen to from such times seems lost as if submerged under a mudslide.
…the most valued stuff that I spent my life on during the months from January to December. I’d love to be able to announce an ambiguity to the numbers that dominate our society, but I am a self-confessed walking hourglass of a human, who watches the passing of years with sad eagle eyes. Anyway, what makes me feel more brighter is looking at what I’ve done from within this socially-constructed perception of time… I don’t even want to think about 2015 right now.
Progress… (100X150cm, ballpoint pen on paper)
A Privatised Implosion (21X28cm, ink on paper)
Just The Noise… (exhibition)
Whilst We Were All In The Eternal Now…. (ballpoint pen and collage on paper, 95X125cm)
Untitled (ink on paper)
The Mary Celeste project (The Scene of The Crash) video-work
Feverish (ballpoint pen on paper, 90X140cm)
I will be exhibiting two of my works in the upcoming exhibition, Electric Open 2014, at the Electric Picture House, Congleton, Cheshire.
The exhibition opening times:
10th October – 1st November
10-5pm, Monday to Saturday
Preview Friday 10th Oct 7PM
I will be Exhibiting these works:
The Planet’s Mental Illness (2012)
Mind Camp (2013)
Over the past 2 week I’ve had my works in two exhibitions:
In Unity Hall Launch exhibition in Wakefield I exhibited The Place of Dead Ends, The Index For Child Well-being and Whilst We Were All In The Eternal Now…
And in Our Corner: Art as Political Expression, at Bank Street Arts in Sheffield, I exhibited …Coils Tightening