<p><a href=”https://vimeo.com/225750903″>Milly-Molly-Mandy gets Loaded and Other Stories</a> from <a href=”https://vimeo.com/user68633656″>Rebekah Whitlam</a> on <a href=”https://vimeo.com”>Vimeo</a>.</p>
Video work by Rebekah Whitlam based on her installation for Will the last person to leave the 20th century please turn off the lights? an exhibition staged by our collective The Retro Bar at the End of the Universe
Thanks to Adam Weikert for the soundtrack (and TLC).
A mixed media installation exploring a nations 21st century come down from 20th century neoliberal hedonism. A new generation of adults become petrified in 90s juvenility. Numbers in anxiety, depression, ADHD, and liver disease have doubled over the past 30 years. We’re broke, confused, and desperately scrambling for the exit.
A big thanks to JD Taylor for taking part in this. I will be uploading the full mix of the talks onto Soundcloud within the next day
“A tale of two countries” is the title of an audio essay I’ve put together for an exhibition opening today Up North in an abandoned boozer. It’s a rough attempt to try to put across some feelings and ideas about the political and social mood at the moment.
The exhibition, “Will the last person to leave the 20th century please turn out the lights?”, is a journey into the West Yorkshire eerie, bringing together drawings, installations and audio. If you happen to be bowling by Baildon, between Bradford and Otley, it opens today. More info here.
If not, have a listen here.
Thanks goes to John Ledger for inviting me to produce something and for bringing it together.
First and foremost for anybody who has never heard of Baildon (mainly people south of Wakefield), just think ‘2 miles north of the World Heritage Site, Saltaire.
I’m really looking forward to this event. To be honest it’s our first proper outing as a collective. The Artists’ Bookfair at The Tetley Gallery in Leeds earlier this year was sort of leading up to this. In light of the series of events that have unfolded in the past month (for better and worse) the title of the event, ‘will the last person to leave the 20 century please turn out the light?’, really does seem loaded. No longer does it merely seem to be a ironic nod towards the serious structural inertia that has dominated culture and political thought for what feels like an eternity, but it now seem to on the point of potentially being seriously responded to. Indeed, the post The End of The Long 90’s on the blog Flip Chart Fairy Tales, really puts into focus the unavoidable proposition that recent events will change British politics for good – that maybe the “Summer of ’17 really will be the end of the Long 90s”. I’m excited to say Rick from Flip Chart Fairy Tales has allowed us to use the blog in an introductory installation to the exhibition part of the event.
We have to be cautious, and what is still clear is that the apparatus that foster cultural inertia and negative realism are still in the driving seat, even if it’s now clear the vehicle has no idea how to navigate the new roads. However, with trepeditity, and paraphrasing the words of Juliet Jacques’ recent post for Repeater Books, ‘For the first time in [adult] my life, I don’t feel like [I’m stalked by depression]’. It may be a flash in pan, a hysteria brought about by the heatwave and the flurry of events discrediting Neoliberal agenda’s freezing of social life into billboard graphic impressions of public space. But I’m feeling more than ever that this negative realism can be fought against, both in my art and life.
Comewhatmay, we have a series of artists, writers and academics parttaking on some level in this exhibition. I’m sure the outcome will be a fruitful one!
As well as the collective (which currently revolves around myself, artist Rebekah Whitlam, Artist-Curator John Wright, and composer Benjamin Parker, – ghosted by DS Jarvis), we have invited contributions from DS Jarvis, photographer Steve Schofield, writers Merepseud and JD Taylor, the poet Jonathan Butcher, the blog Flip Chart Fair Tales, and potentially the engineer David Hooppell. All in all it is looking like