This isn’t even Ballard’s ‘Glorified Lifeboat’ (Writings From HMS Brexit)

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This voyage, perhaps even whole flat earth that it navigates, has reached an end point.

This is an epochal moment – yet we duck, dive, and talk about following our forefathers’ impossible footsteps into yesterdays’ jobs, homes and families, where hair goes grey and skin wrinkles with the pride of purpose.

These footsteps lurch over the void – momentarily held in suspense by a binge on artificial enhancers (or Zombie economics).

We are led over this cliff by the bloated reign of the Baby Boomers.

They don’t mean harm, but they are.

They are ghosts trapped in a machine. A shit machine, but one of full employment, affordable housing, and visions of a future that isn’t our present. Dictating all down below down a road that doesn’t even exist.

No wonder we are lost. Clambering for any clarity. Doing anything to cleanse our bodies of workaday anxieties.

On HMS Brexit ‘work’ doesn’t make sense, because we have lost all direction. Work was the only meaning we had, but as it dies it lives on like a zombie.

We can feel it sucking our blood when we are commanded to improve ourselves within this void.
The 2016 EU referendum was an accidental hand grenade given to those aggrieved by economic injustice for so long that they’d forgotten its source. Of course they were going to throw it, but it blew the limbs off all sides.
As limbless creatures, we we bite and bark at each other, unable to reach out and see our pain is one another’s.
The workplace is a microcosm/node in a explosion of rhizomes of exhaustion and despair. But the explosion implodes in us.  After hating everybody else, we end up hating ourselves.
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It was the same today.
The anguish of collapse is so violently played out because the Other is now merely a competitor (essentially an enemy).
My own mood is so compressed by workaday landscapes under clouds of Brexit and other breakdowns that I know my essence is soaked in a negative aura as I beat about the nearby towns in the early evenings in search of exits for my imprisoned emotions.
Like dogs that pick up on fear, others react badly. The very fact that I’m acutely aware of the expanding army of homeless means that my gaze makes a b-line to their desperate asks. As I walked down the main alleyway for frustrated begging and hipster-bar-bunkers in Sheffield, one begging man shouts “you fucking ignorant arsehole” at me – although I was totally oblivious to any earlier calls he made.

He caught me when I was already at a pressure point. I found myself yelling “fuck you” at him. Two drinks later the rage has gone. But my head was melting with an urge to inflict pain on somebody already in pain’s main firing line.



These days I feel anything can make me flare up.
Its because I want to be able to give up.
…tired of pretending it’s all OK..
But as sick as I feel, I can’t see a way out of this life of ventriloquised labour for a world I no longer believe in.
Knowing this is shared-despair sparks a lone candle flicker. But we’ve all caught the rabies after this 40 years-hate-your-neighbour, and speak through barks and bites.
Yet my despair is often disallowed such unity, such wider interpretation, by the passive-aggressive put-downs of a certain brand of hippy. They prey on my written-down honesty, and use it as a way of one-upmanship under the guise of peace.
Their smugness that implies I refuse ‘to evolve’ and that ‘they are the change we want to see’ sees people like myself as a disease that needs to be cleansed from this planet.
I don’t fit under their sunshine, and basically the underside of this sunshine is the assertion I should kill myself.
But isn’t the suicide of the ‘misfit’ what we all want on HMS Brexit?  The Troll to the Poster? The Xenophobe to the Migrant Boater? the Leftie to the Xenophobe? the Remainer to the Leaver? the Progressive to the Conservative? The Work-drained to the Work-less?

“Kill yourself and let me endure this hell all by myself!!”

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I’m scared about how nasty all this is going to get.

I’m scared for me.
I’m in battles I never knew could be fought; cages I never knew could exist.
I end up in Retrobars, where nobody speaks to anyone they haven’t already agreed to speak to, earlier on, via their smartphones.
No shit, I swear Brexit was an emotional demand for an exit to all of this.
Theresa May is no doubt the zombie of Thatcher, who, after swimming through the body of Blair, has been spat out of the mouth of Cameron. Waiting for Article 50 has become an intensifying locus for a larger sense of dread we feel above our heads.
So why didn’t we have the courage to examine this emotional demand? We should have broken down and wept collectively last June. But undead lurchings of Empire barged their way to the podium.
We now need help from another world.

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In Wakefield centre I’m approached by a woman who has reopened bloody wounds as a tool to justify her plea for legal tender. None of that which would shock me half a decade back shocks me anymore.
Is it normal to be asked for money on every town centre street?
The scenes have strayed into unfamiliar sights we seem blind to on overly familiar streets.
Hms Brexit is the blind sinking.
Brassband music blurts out into the sparse night from a surreal mock-up of picturesque Yorkshire in a pit of a subway in a station that is struggling to escape a bleak essence caused by its abandoned outpost-like nature, exposed on the eastern rim, where the centre meets the hinterland.
The music makes no sense in a land that’s lost all narrative.
The train arrives and so too do fleeting hopes of escaping loneliness by meeting a lover on this moving carriage.
A weary and knowing smile succeeds as the usual happens on The Lonely Lifeboat. And I just site facing the back of a plastic seat. The FEED feels like your friend in such points, but I’m back to looking at a pen and notepad.
I feel momentarily relieved.

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About John Ledger

A visual Artist, eternal meanderer and obsessive self-reflector by nature, who can’t help but try to interpret everything from within the tide of society. His works predominantly take the form of large scale ballpoint pen landscape drawings and map-making as social/psychological note-making. They are slowly-accumulating responses to crises inflicted upon the self in the perplexing, fearful, empty, and often personality-erasing human world.

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