Although Dewsbury has always been a nearby town, the exhibition I was part of allowed me to discover parts to it I hadn’t seen before, as I climbed up the hill from the train station up to Crow Nest Park. I got a view that stretched back over to Woolley Edge, reminding me of the strangeness in how the industrial towns of West/South Yorks fold into different valleys from where transport connections and communication are almost non-existent in relation to their general proximity.
The exhibition is called Soul Searching and is…
An exhibition of mental health related artwork, on display in the 2nd floor galleries at Dewsbury Museum throughout the first quarter of the year.
The exhibition has been curated by Mark Milnes, of Creative Arts Hub. From a large number of submissions received via curatorspace and by email, we have selected a wide range of approaches to the subject. Work has come in from across the country; and we also have artwork from Canada (Emei Ma, nascentscienceart.org), and from Austria (Klaus Pinter).
The work is broad in scope, some of it exploring the dark recesses of the mind; others focusing on the transformative power of art, used as a means to overcome mental health problems. Featuring work from individual practitioners, and from organisations – including Women Centre Kirklees and Calderdale, Hoot Creative Arts & Glenside Hospital Museum (Bristol), the exhibition offers a serious exploration of a challenging subject which visitors will find to be raw and thought -provoking, and equally positive and energising.
I’ve received my copy of Prisoners of Reason: Game Theory and Neoliberal Political Economy Author: S. M. Amadae, which features my artwork ‘The Logic of Neoliberalism’, which I made back in 2010.
I’m really pleased for my work to be part of this publication by S. M. Amadae and now look forward to reading it. The book can be found at the Cambridge University Press.
I have 4 works (The Planet’s Mental Illness, Disintegration, Not Humanly Possible, and The Index For Child Wellbeing) in ‘Soul Searching’, an exhibition exploring mental health through art and poetry.
I’ve never shied away from explaining that mental health has had a continual place in the compositions I make; never shied away from telling people about my own history with mental health issues; never shied away from saying it as I see it: that the unrelenting injuries of life under a 21st century capitalism, that sustains itself through disbelief and cynicism, work overtime against our wish for a good happy, meaningful life. Which doesn’t make it impossible – but fucking hard, that’s all.
A semi-fictional broth of occurrences over the past few days.
I had a dream last night. Fuck knows what it was about. But to be honest, what it was about isn’t important anyway. What is important is that I had a dream, and judging my lack of anxiousness when I woke, it wasn’t a bad dream.
You henceforth feel like a balloon slowly losing air, as the components of your daily servitude to the system slide into place, like they’re literally replacing your organs and ligaments. You want to find somebody who will listen when you say “I’ve have enough: it shouldn’t be like this”, but most of them are too busy trying not to think of it to be enable to classify you as of this earth for suggesting such a thing. Better you forgot the dream in the first place.
Under Invisible punches
In the waking hours before my dreaming I had failed to control my frustration again. But I was holding it together so well! Keeping The Noise in check. Channeling it onto better things. Or so I thought. Cumulative blows, that I’m all the more sensitive to because I’m constantly noticing them, especially when I see them landing on the far-less fortunate folk than myself, who meander amidst our blindspots on normally-familiar streets; who lacked my support system; who were destined to be “losers” in “The Game” before they even got started. I’d kept my cool since the new year began, but it literally took one thing, the profit-seeking hiking of rail travel prices, to start a downward spiral that put the seal on the soundtrack of this day.
It all fell back on me: the injustices and fears of a world set into a motion I cannot often see a favourable end to. Cumulative computerised images of the “Epic Fail” culture came pouring back into my head, as the woman sat across from me on the train pointed out that an abandoned water bottle I pushed off the table in front of me in frustration was leaking onto the seat opposite. The way I felt her judgmental gaze on me for my surface-level unacceptable behaviour, like I was a paint-by-numbers pathetic person, gave me aimless and hopeless empathy for the hundreds of angry people who become “Epic fail virals” because of a surface-level idiocy that I can’t help but believe is due to an unmanageable deeper stress. What can I say? I’m a humanist.
We shout “get down, mate” as their morally-wayward actions slap them in the face in front of a camera phone. We don’t question the difficulties they may also have as the world becomes an harder and more fucked up place. Because, despite glimmers of the willing for a more compassionate world, we sense the dog eat dog nature of a lonely and competitive reality, and we respond accordingly.
Sometimes it seems as if the air around me is solidifying and compressing. An agitated persona follows suit – we can see it all around. And it is for this reason that, before I felt compelled to punch the seat, I moved from this no-doubt decent woman’s gaze, and found a seat on the next carriage.
I want to be wherever I am not. I want what they (seem to) have but I don’t want to be them. I want to be myself but the not the self I am.
I know the railway lines between the dysfunctional conurbations of SouthWest Yorks so well that there is barely enough room left to know anything else. The trousers I own, the shoes I wear, seem to be preprogrammed to march me to these destinations.
I stare at the train destination boards, like they’ll show me a way forward, or a way out – but with a 75% chance I’ll be seeking the substitute sedative of cider via a nearby pub after this hour of exhaustive indecision. No gap year trips when my wage packet can only stretch to the day in hand…for every day of my adult life. Although it isn’t an adult life at all – let’s be straight, I’m stunted…but at least I accept it.
Wise I bring the Gap Year up, I guess.
The deadlock I have usually skirted around with artistic focus for ten plus years becomes unavoidable within the Christmas/New Year burnout. Maybe it’s the sight of so many young rosy-faced adults with luggage (the clear indication of having purpose and of being wanted, by someone). It certainly helps impound a sense of lacking a life. As long as I’ve got a piece of art or exhibition on the go, I have a life. As soon as they end I become a wandering ghost on these streets I speak so much of.
Class plays a large part. It really does. I would never underplay this issue of class. You veer close to losing friends when talking ‘class’; it’s one thing many feel so uncomfortable about. I’m quite honest about where I stand, precisely because I have never known where I stood.
I was born into a poor family. Mining, and mill stock. My parents were really struggling. My dad had no job, as the majority of the community, including many of my uncles, fought for theirs in the 1984 Miners strike – the year in which I was born. We had to rely on family and friends. If I’m honest I think most my clothes were second hand until the early 1990’s, by which time my dad had toiled to get a degree and a teaching job against all odds. It looked like our family were in the process of adding the generational improvement of livelihood.
Yet, esteem issues, likely formed in the days before I could speak, due to our family being reliant, and thus subservient to others, seemed to cling on, and on, until I realised they’d clung on way into an adult life where everybody seemed to be headed for some destination, high or low, except me.
My village was literally split (by one road) between a middle class commuter estate built around the same time as the motorway arrived, and the council estates built for people who worked in the local mines, and the not-too-distant sewing factories. The cul-de-sac I grew up on was neither, and I was neither. I came from one, went half-way to the other, and ended up nowhere. I felt bad around the kids from the estate, like a traitor, due to our adoption of a handful or more traditionally middle class values. I felt bad around the settled middle class kids on the other estate, because I felt too common, too clearly ‘thick’ (I was mildly illiterate for much of my teenage life). It was the mid 90’s and the carrot and stick of Blair-year aspiration had convinced us all in some way or another that the middle class lifestyle wasn’t just desirable it was compulsory.
It’s taken me until my 30’s to realise how important confidence is to getting on in life. Without some self-belief you are well and truly stuck. I never knew how to get along in the world I had to get along in because I didn’t know who I was in this world – I didn’t really like who I thought I was because on each side of the fence I felt like an fraud, and imposter. But, getting to the point, this in-between place also gives you clear insight into the strong relationship between class and confidence.
I was an very detached child. Daydreams were mandatory, and I despised any interference in them. I had ideas, desires, expectations. But I came to realise that none of them were practical. Art studies seemed like the only realistic thing I could do. It ensued that my way of finding new and inventive ways of saying ‘fuck you’ (and little else to be honest) to the larger scheme of things (that was increasingly beginning to frighten after the unofficial millennium inauguration of 9/11) would be a semi-sufficient confidence-builder for my fast-approaching 20’s.
My life, and art, became so wrapped up in the ominousness of climate change, relentless capitalism and social breakdown as the first decade of the millennium passed into the second, that I completely unanticipated that I would be 30 one day, and, as the things that concerned me so much unfolded (as they clearly are doing), I’d still have to deal with life as a man in his 30’s come-what-may. I came here totally unprepared.
So here I am, in a well-known train station, on a day off from work, anxiously thinking how I can break through an aimlessness, knowing that I no longer have the time to dwell. And I’m asking any potential reader to bear all the previous text in mind when reading the apparent sweeping judgmental outlook of the following story, as I waited, waited, and watched in station terminals in the 2 Week-period around the Christmas/New Year.
The view from the fault-line
You go to University. You make far-flung friends. Develop a full-student life (sometimes finding yourself a misplaced target of anger from confused and angry drunk old men, once employed in the long-gone heavy industries, from a time before ‘University’ became this city’s main industry). You leave for Xmas and go back to your home town. Showering glittery sprinkles of ‘elsewhere’ upon its dying night life that usually has to rely on underage drinkers and mid-life crisis drunks. (I am neither of these, but this is where I see you all the same).
You head back to university on the 29th/30th December for New Years’ celebrations with your new friends. Suitcases at railway stations (this is where I see you for the second time). You leave University, have a brief spell of indecision involving low pay, temp jobs, Gap Years and other temporary crutches (this is where I see you, and briefly humour you, for the 3rd time). Then you slowly evacuate ‘the building’ for the relatively-fast ascent to career-building and family life.
Yet it doesn’t always happen this way; some of us slip between the fault-lines of the perpetual ruptures of contemporary life, and some of us can’t quite figure out how we even managed to complete a fecking degree in the first place, because we have always felt stuck in a fault-line.
I never went to university. I’ve got a degree, yes, but I never did Uni. I mean, I tried twice, and failed twice. But I was in and out of both too fast to be remembered. I got my degree qualification in my home town. Whatever you think or say about Barnsley (of which I am qualified to do due to being umbilically tied to it), it was never a ‘university town’. Some of the tutors you have, some of people you meet, are great – but it was never a university town (nor should it have to be, I guess).
I don’t resent you. Course I don’t resent you, as part of me wants to be like you. And I’m not assuming you haven’t got heaps of shit weighing you down on a daily basis. But from the view from the fault line you are people, and that’s what I don’t feel like much of the time.
I just lack something.
You’re all grown up now….
Except you’re not. You’re like a bonsai tree, “a bud that never flowers”. I walk out of the station to a pub, cursing a pre-new year landscape that talks over your story in your head every time you justify your life, to the extent that you begin to curse everything in sight.
I try so hard not to be like this. Today was another day when I really wanted those avenues to open up in front of me, so that I didn’t end up staring at train destinations hoping my number would come up.
My truth comes back to me. I know I’m somehow in the right when I look around and see that this is a world that can now only persist through cynicism. A world where we treat the swaves of unhappy teenagers with condescending contempt, ascertaining the assertion that these mere teenage blues will die, that they will take their indie posters down and eventually find their ‘safety niche’ within the cynical superstructure.
I’m talking of the chasm, where compassion should rest, in a Britain that’s been Tory in spirit for decades now. A miserable middlemass that suffocate the unreabilitatable vulnerables. A pessimist is resigned to such a world. Me, a pessimist? No, I’m a damaged optimist, who like many opened his heart incautiously to a cynical world, and survived by becoming lost in another life, a life that has long since had any cause, but has lead to nowhere else either.
The night is cold, revealing the stress scars on my face, as always. I accidently glare in at a fitness club just as its members appear to reach an endorphinated climax. I see a Guardian newspaper headline telling me to cut down my drinking to no more than a pint a day. But there’s no Guardians, or “guides to take me by the hand”; no real understanding of how helplessly walking past another casualty of the homeless epidemic, and then seeing my gaunt face stare back at me from a ‘Tory screen’ telling me how they’re helping the working person, is going to engineer a need for alcoholic comfort.
None of this will be understood until we all come to an agreement that “it is no measure of good health to be well adjusted to a five a day diet in Cameron’s Britain”. Until that point this is just another blog pissing into Digital Rain. You can bunk up the tax on drink all you like, because in ToryNation we’ll always find a way to pay.
I’m smiling in the pub I enter because a barman error lands me with a free pint, and somebody plays Pink Floyd’s Interstellar Overdrive, a paint pallette for perpetual pop invention, on the jukebox. Little things make the here and now manageable. I just wish it could last…
NoteToSelf (2016, A4, ink on paper)