Non-Stop Inertia @Space&Place, Left Bank by The (Un) realised Project

P1020405 (1500x2000)Non-Stop Inertia @Space&Place Left Bank by The (Un) realised Project.

Wednesday 15th/Thursday 16th July, 6PM @Left Bank, Cardigan Rd, Burley Park, Leeds, West Yorkshire LS6 1LJ

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The (Un) realised Project is an umbrella for discussion, events and exhibitions that has come about through an ongoing dialogue between Leeds-based artist-curator John Wright (1989), South/West Yorkshire-based artist John Ledger (1984) and more recently Huddersfield-based artist D S Jarvis (1976).

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Non-Stop Inertia is a performative piece that serves as an investigation into the profound state of precarity and ‘stuckness’ which we experience within contemporary life. Named after a book by Ivor Southwood. Southwood takes a comprehensive look into the situation of the “deep paralysis of thought and action” caused by the “ideologically constructed” landscape of precarity. This affects mainly the younger generation of workers, but it is increasingly dragging even more people into a role, which economist Guy Standing suggests is the ‘Precariat’, replacing the older term for the working class, the proletariat.

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This interventional work consists of an attempt to install an artwork in the Space & Place exhibition. The performative intervention will be filmed in a documentary style, with the aim of capturing an often unobserved element of the exhibition process. In essence, there is a failure to ‘get the job done’ because the team faces constant interruptions. The interruptions are generated both mechanically (through the beep noise), physically (the geometry of the space) and psychologically (through conversation with the people in the space). Interruptions are welcome.

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About John Ledger

A visual Artist, eternal meanderer and obsessive self-reflector by nature, who can’t help but try to interpret everything from within the tide of society. His works predominantly take the form of large scale ballpoint pen landscape drawings and map-making as social/psychological note-making. They are slowly-accumulating responses to crises inflicted upon the self in the perplexing, fearful, empty, and often personality-erasing human world.

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