Yes, Spent indeed

yExhaustion in The Face of Everything (Ink on paper)

Just a few thoughts on JD Taylor’s article Spent: capitalism’s growing problem with anxiety. It’s anything but a comphrensive analysis. But I thought it best these small notes being shared rather than being forgotten about, as so many of my notes/thoughts-on essays do.

Spent: capitalism’s growing problem with anxiety is all incredibly agreeable; along with Mark Fisher he puts the issue of the mental illness epidemic right at the door of neoliberal financial capitalism. But there was one particular part, under the subtitle Anxiety Machines that generated the “yeah-I’m-glad-someone-else-thinks-this” reaction in my head.

A rise in the cases of allergies, and obsessive compulsive disorders over the past half decade. Yes, I’ve been keeping a eye-that-often-wishes-it-could-be-blind on this too. A Psychosomatic whirlwind, where fakery and truth are no longer discernable – neoliberal financial capitalism makes us anxiety machines.

“These might all be conditions of modern life: rates of allergies like hayfever and eczema in the UK population have risen to 44% in 2010, whilst rates of depression have similarly soared. Rising recorded levels of these ailments may signal a greater awareness and ability to self-diagnose these conditions, one could argue; but this alone doesn’t sufficiently explain why anxiety disorders began rising first of all. Anxiety and fear are psychological marks of domination in all social structures, but a specific anxiety and fear emerges in financial capitalism through the accelerating demands and pressures of working and living in the neoliberal era. Greater insecurity in the workplace or school leads to an intensification of individual failure that is also manifested in the growing trend of bullying, which further reinforces the cycle of stress, depression and suicide. I think this insecurity is also expressed through the very media used to communicate and function in everyday life. By this I mean the intensification of information technologies into domestic and personal life, what Paul Virilio calls a ‘tele-present’ world. From home computing for leisure, to the Internet, hand-held communication devices, and social networking sites, in the last two decades there has been an unprecedented intensification of technologies that continuously connect users to hyperactive news streams and a disembodied form of social interaction, whose psychosocial norms deserves deeper analysis.” JD Taylor.

If one could describe neoliberalism as a project, could it not be described as the darkest of psychological experiments imposed on a human being? Seriously, imagine a participant in a scientific experiment, (perhaps an adult from the 1950’s/1960’s) donning head-gear that simulates a neoliberal society, perhaps inducing an accelerated state (like in a dream) so that they feel acclimatized to it in no time at all. Then, is it not entirely plausible to imagine their body language changing, with an increase in nervous twitches, an increase in anxious self-analysing and diagnosing? Take a look around you (and a long look at your own habits), is not the case that in workplaces, city streets, and on the social media interface, that there has been a sharp increase in anxiety-ridden behaviour in the past half decade since neoliberalism was ‘doubled-up’ in response to its dramatic failure?

Is the sharp rise due to this double-dosage? Or is it just one part in a revving up of the then less-intense general problems of pre-crash neoliberalism, that most of us (if we’re truthful) thought would go away, as we used to feel about climate change, and the stop-start-stop-start escape from low paid jobs that Ivor Southwood termed ‘Non-Stop inertia‘? Come-what-may, I think it is wise not to dismiss anyone in our lives who seem to be ensnared by life-restricting issues as ‘moaners’, ‘pessimists’ or even ‘fakers’; I think that where we stand right now, we can all potentially be classed as sufferers of mental disorders without any wild exaggerations. As I said above, just look around, and give yourself a long hard look.

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About John Ledger

A visual Artist, eternal meanderer and obsessive self-reflector by nature, who can’t help but try to interpret everything from within the tide of society. His works predominantly take the form of large scale ballpoint pen landscape drawings and map-making as social/psychological note-making. They are slowly-accumulating responses to crises inflicted upon the self in the perplexing, fearful, empty, and often personality-erasing human world.

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