Rebuilding The Flattened – new art book

Rebuilding The Flattened

Trawling Back all the tweets

http://www.blurb.co.uk/b/5122312-rebuilding-the-flattened

Image ‘Pancake People’

“…today, I see within us all (myself included) the replacement of complex inner density with a new kind of self evolving under the pressure of information overload and the technology of the “instantly available”. A new self that needs to contain less and less of an inner repertory of dense cultural inheritance — as we all become “pancake people” — spread wide and thin as we connect with that vast network of information accessed by the mere touch of a button. Will this produce a new kind of enlightenment or “super-consciousness”? Sometimes I am seduced by those proclaiming so — and sometimes I shrink back in horror at a world that seems to have lost the thick and multi-textured density of deeply evolved personality.” 1 – Richard Foreman

Over the past ten years, the speed of information and the amount of it flowing around, and in and out of us has increased dramatically, and it shows no sign of slowing down. In agreement with Richard Foreman, sometimes I am excited by this new reality, but just as often it gives me a sense of cold “horror”. The dominant belief in our culture is that the more we find out, the more of an understanding we have of our things that matter to make a safer, democratic world. But is this happening with the current way we receive information, where our points of contact with the big issues around the world become mixed up with the points of contact with friends, employers, titillating-trivia and everything else imaginable, until what matters and what doesn’t can often seem undistinguishable in what can feel like living under a waterfall of information?

Rebuilding The Flattened, deals specifically with Twitter. It reels in everything I have ‘Tweeted’ as John Ledger since I joined in March 2012. The aim is to re-imburst them with substance, by bringing all the sentences together and placing them in a space where text isn’t constantly in flux;  to reinvigorate them with memory that has a continuity to it; and if it merely reads a pocket-sized riot of random sentences strung-together to other people, it certainly tells a story to me, reminding me of things I was feeling, and things that were concerning me, that would have otherwise remained forgotten in a cyberspace graveyard.

For me, the prospect of a society of ‘pancake people’ poses an overtly political dilemma: how can we make sense of things, and get keep hold of an understanding of what is the root cause of the problems in the world when, as Franco (Bifo) Berardi says “Subjected to the infinite acceleration of the info-stimuli, the mind reacts with either panic of desensitisation”? 2. Can we really act collectively to counter anti-democratic forces, extreme economic injustices, and climate change whilst we are subjected to this? The problem here is that disconnecting ourselves from cyberspace is neither the solution nor achievable for for most people.

Thus, there is certainly a political motivation behind making this book. A ‘cognitive mapping’3 (Fredric Jameson) of an info-drenched landscape that pulls us all into points of panic and delirium, with the intention of constructing a larger picture of these past years. In many ways this desire is what also motivates my large scale drawings, a way of working which  also more or less spans social media age also. A consistent hope that artistic endeavours contribute to helping us transcend the huge deadlocks civilisation has come up against in the 21st century.

http://www.blurb.co.uk/books/5122312-rebuilding-the-flattened

john

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About John Ledger

A visual Artist, eternal meanderer and obsessive self-reflector by nature, who can’t help but try to interpret everything from within the tide of society. His works predominantly take the form of large scale ballpoint pen landscape drawings and map-making as social/psychological note-making. They are slowly-accumulating responses to crises inflicted upon the self in the perplexing, fearful, empty, and often personality-erasing human world.

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